Showing posts with label cartoons. Show all posts
Showing posts with label cartoons. Show all posts
Sunday 17 July 2016
Monday 6 June 2016
Picture Post No. 13 The Worshippers
Posted by Tessa den Uyl and Martin Cohen
There’s a cartoonish air to this image, amusing and entertaining underlying something grotesque, fake and appalling, thus appealing? The (Italian) cartone, a sheet of paper, offers us a blank space to start to represent a scene. America is the land of the comic book, and of Disney.
Take the central woman who seems almost a caricature of an excited fan. Her face expresses the meeting with the unexpected. The facial expression of the boy on the left is equally intense, almost orgiastic. The woman on the right seems to unfold her ladylikeness by touching her hair and the woman behind her seems embraced by unexpected joy. Similarly ingredients for cartoon characters are mixed on paper. Perhaps this is why the picture is funny at first sight; we are recognising our own emotions in caricatures. Laughter disguises pain.
Looking up to people, (admiration) is a very human, very old phenomenom. So it touches belief, right? The belief not so much in people but in a better and in a worse universe. An age-old human trait that seems as strong as ever, and yet a bit strange in the 21st century…And so, yes, first there is this zany, ‘funny cartoon’ impression but behind the facial masks, what is hidden?
Images should make us think, like rain is the memory of plants. The scene of the enthusiastic crowd, the 'admiring throng', is an old visual stand-by. But the belief is not so much in individual people as in the existence of a better universe, populated by imaginary characters.
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| Agency image from the 2016 US Presidential Primaries campaign. These fans can’t quite believe they're standing near THE Donald Trump |
Take the central woman who seems almost a caricature of an excited fan. Her face expresses the meeting with the unexpected. The facial expression of the boy on the left is equally intense, almost orgiastic. The woman on the right seems to unfold her ladylikeness by touching her hair and the woman behind her seems embraced by unexpected joy. Similarly ingredients for cartoon characters are mixed on paper. Perhaps this is why the picture is funny at first sight; we are recognising our own emotions in caricatures. Laughter disguises pain.
Looking up to people, (admiration) is a very human, very old phenomenom. So it touches belief, right? The belief not so much in people but in a better and in a worse universe. An age-old human trait that seems as strong as ever, and yet a bit strange in the 21st century…And so, yes, first there is this zany, ‘funny cartoon’ impression but behind the facial masks, what is hidden?
Images should make us think, like rain is the memory of plants. The scene of the enthusiastic crowd, the 'admiring throng', is an old visual stand-by. But the belief is not so much in individual people as in the existence of a better universe, populated by imaginary characters.
Picture Post No. 13 The Worshippers
Posted by Tessa den Uyl and Martin Cohen
There’s a cartoonish air to this image, amusing and entertaining underlying something grotesque, fake and appalling, thus appealing? The (Italian) cartone, a sheet of paper, offers us a blank space to start to represent a scene. America is the land of the comic book, and of Disney.
Take the central woman who seems almost a caricature of an excited fan. Her face expresses the meeting with the unexpected. The facial expression of the boy on the left is equally intense, almost orgiastic. The woman on the right seems to unfold her ladylikeness by touching her hair and the woman behind her seems embraced by unexpected joy. Similarly ingredients for cartoon characters are mixed on paper. Perhaps this is why the picture is funny at first sight; we are recognising our own emotions in caricatures. Laughter disguises pain.
Looking up to people, (admiration) is a very human, very old phenomenom. So it touches belief, right? The belief not so much in people but in a better and in a worse universe. An age-old human trait that seems as strong as ever, and yet a bit strange in the 21st century…And so, yes, first there is this zany, ‘funny cartoon’ impression but behind the facial masks, what is hidden?
Images should make us think, like rain is the memory of plants. The scene of the enthusiastic crowd, the 'admiring throng', is an old visual stand-by. But the belief is not so much in individual people as in the existence of a better universe, populated by imaginary characters.
|
| Agency image from the 2016 US Presidential Primaries campaign. These fans can’t quite believe they're standing near THE Donald Trump |
Take the central woman who seems almost a caricature of an excited fan. Her face expresses the meeting with the unexpected. The facial expression of the boy on the left is equally intense, almost orgiastic. The woman on the right seems to unfold her ladylikeness by touching her hair and the woman behind her seems embraced by unexpected joy. Similarly ingredients for cartoon characters are mixed on paper. Perhaps this is why the picture is funny at first sight; we are recognising our own emotions in caricatures. Laughter disguises pain.
Looking up to people, (admiration) is a very human, very old phenomenom. So it touches belief, right? The belief not so much in people but in a better and in a worse universe. An age-old human trait that seems as strong as ever, and yet a bit strange in the 21st century…And so, yes, first there is this zany, ‘funny cartoon’ impression but behind the facial masks, what is hidden?
Images should make us think, like rain is the memory of plants. The scene of the enthusiastic crowd, the 'admiring throng', is an old visual stand-by. But the belief is not so much in individual people as in the existence of a better universe, populated by imaginary characters.
Sunday 17 April 2016
Monday 14 December 2015
Terrorists, Secret Services and Private Incomes
Sceptical reflections and conspiracy theories relating to the politics surrounding the killings at Charlie Hebdo and the recent massacre in Saint Denis
The shooting at the start of this year of the cartoonists at the Parisian satirical magazine, Charlie Hebdo has all the hallmarks of a CIA inspired brutal incident. November's massacre at Saint Denis looks much more like an attempt to replay, in the center of European social life, similar deadly outrages to those committed in towns and cities across the Middle East. Colin Kirk* teases out the links.
That most of the perpetrators of these atrocities were known to French secret services is now admitted. There are even several indications of what may have been secret service and police assistance to the Charlie Hebdo incident. Help apparently given to the get-away vehicle and discovery of the driving license dropped by the driver recalls some aspects of the slaughter of over 3000 people on the ninth of November 2001 in New York.
Charlie Hebdo was a satirical magazine before it got its current name after an atrocity in Northern France that resulted in over a couple of dozen deaths was reported in Paris as 28 dead in Northern France. It caused little stir compared with mourning for De Gaulle, who died a few days later. Un homme mort à Paris was the bold, black cover of what was thereafter called Charlie Hebdo.
President Charles De Gaulle founded the Fifth Republic in his own image with draconian rights of state surveillance of its citizens that are not dissimilar to those afforded by the American Patriot Act. The State of Emergency currently in force allows police entry without warrant and arrest without charge. There really isn’t any further to go in state legal rights of citizen control, is there?
The CIA is known to have funded media to promote certain political messages in America, Britain and France in particular. On his own account, Stephen Spender, the editor of the British literary magazine Encounter, originally founded by the poet Stephen Spender, resigned when he discovered the source of much of its 'well-wisher' donations.
Satirical media and those critical of the state were important to western democracies to demonstrate state toleration of dissent in comparison with actions of totalitarian states. Egalité and Fraternité were far less important to politicians than the sacred notion of Liberté.
The shooting at the start of this year of the cartoonists at the Parisian satirical magazine, Charlie Hebdo has all the hallmarks of a CIA inspired brutal incident. November's massacre at Saint Denis looks much more like an attempt to replay, in the center of European social life, similar deadly outrages to those committed in towns and cities across the Middle East. Colin Kirk* teases out the links.
That most of the perpetrators of these atrocities were known to French secret services is now admitted. There are even several indications of what may have been secret service and police assistance to the Charlie Hebdo incident. Help apparently given to the get-away vehicle and discovery of the driving license dropped by the driver recalls some aspects of the slaughter of over 3000 people on the ninth of November 2001 in New York.
Charlie Hebdo was a satirical magazine before it got its current name after an atrocity in Northern France that resulted in over a couple of dozen deaths was reported in Paris as 28 dead in Northern France. It caused little stir compared with mourning for De Gaulle, who died a few days later. Un homme mort à Paris was the bold, black cover of what was thereafter called Charlie Hebdo.
President Charles De Gaulle founded the Fifth Republic in his own image with draconian rights of state surveillance of its citizens that are not dissimilar to those afforded by the American Patriot Act. The State of Emergency currently in force allows police entry without warrant and arrest without charge. There really isn’t any further to go in state legal rights of citizen control, is there?
The CIA is known to have funded media to promote certain political messages in America, Britain and France in particular. On his own account, Stephen Spender, the editor of the British literary magazine Encounter, originally founded by the poet Stephen Spender, resigned when he discovered the source of much of its 'well-wisher' donations.
Satirical media and those critical of the state were important to western democracies to demonstrate state toleration of dissent in comparison with actions of totalitarian states. Egalité and Fraternité were far less important to politicians than the sacred notion of Liberté.
Monday 14 September 2015
Monday 7 September 2015
Picture Post No. 4 The Dan Dare Badge
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'Because things don’t appear to be the known thing; they aren’t that what they seemed to be neither will they become what they might appear to become.'
Posted by Martin Cohen and Ken Sequin
Friday 31 July 2015
Sunday 26 July 2015
Friday 17 July 2015
Thursday 4 June 2015
Sunday 31 May 2015
Sunday 17 May 2015
Sunday 3 May 2015
Monday 20 April 2015
Saturday 28 March 2015
Saturday 14 March 2015
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