Showing posts with label ethnophilosophy. Show all posts
Showing posts with label ethnophilosophy. Show all posts

Monday 20 June 2016

Poetry: A Deal Struck Between Poetry and Applause


 A poem by Chengde Chen 



A Deal Struck Between Poetry and Applause

(But not just about poetry)

I do not understand the poem the poet has recited.
But it is applauded, so it must be me being stupid.
So I consult others, on my left and right.
Surprisingly, they shake their heads, as well.
I ask them why they had applauded.
They say that it was just being polite.

So I ask the poet, quietly, to explain its meaning.
He tells me, quietly too, what it is about.
The meaning is rather simple, nothing much.
I say, ‘If so, shouldn’t it be made easier to follow?’
He says, ‘I know, mate, but you know,
if it was easy, would it be poetry?’

Gosh, the resonant deal between poetry and applause
is, in fact, a tacit collaboration between two frauds.
First, the poet tricks the audience through obscurity –
making a simple thing a mystery that sounds deep.
Then, the audience fools the poet with pretence –
as if having reached the depth that doesn’t exist.

As obscure poetry generates dishonest applause,
dishonest applause makes poetry more obscure.
I wish I could ask everyone who had applauded
to explain his or her every clap on the spot.
If there had been no such pretence of orgasm,
how long could the act of love-making last?

However, not to make myself an enemy of the world,
I’d better beat this poetic business psychologically first.
That is to regard this hypocritical applause
as a tribute to me for my not applauding –
as an apology for my loneliness,
as salutation to my honesty.




Chengde Chen is the author of Five Themes of Today: philosophical poems. Readers can find out more about Chengde and his poems here

Poetry: A Deal Struck Between Poetry and Applause


 A poem by Chengde Chen 



A Deal Struck Between Poetry and Applause

(But not just about poetry)

I do not understand the poem the poet has recited.
But it is applauded, so it must be me being stupid.
So I consult others, on my left and right.
Surprisingly, they shake their heads, as well.
I ask them why they had applauded.
They say that it was just being polite.

So I ask the poet, quietly, to explain its meaning.
He tells me, quietly too, what it is about.
The meaning is rather simple, nothing much.
I say, ‘If so, shouldn’t it be made easier to follow?’
He says, ‘I know, mate, but you know,
if it was easy, would it be poetry?’

Gosh, the resonant deal between poetry and applause
is, in fact, a tacit collaboration between two frauds.
First, the poet tricks the audience through obscurity –
making a simple thing a mystery that sounds deep.
Then, the audience fools the poet with pretence –
as if having reached the depth that doesn’t exist.

As obscure poetry generates dishonest applause,
dishonest applause makes poetry more obscure.
I wish I could ask everyone who had applauded
to explain his or her every clap on the spot.
If there had been no such pretence of orgasm,
how long could the act of love-making last?

However, not to make myself an enemy of the world,
I’d better beat this poetic business psychologically first.
That is to regard this hypocritical applause
as a tribute to me for my not applauding –
as an apology for my loneliness,
as salutation to my honesty.




Chengde Chen is the author of Five Themes of Today: philosophical poems. Readers can find out more about Chengde and his poems here

Monday 30 November 2015

How to help the French living under Terror and their own Terreur

Posted by Perig Gouanvic


"Inside a Revolutionary Committee under Terreur (1793-1794)"
Finger pointing and cleansing the public discourse is not new In France
In France, there are very old beliefs, reminiscent of the Terreur era, about religion and minorities that should never be questioned. Multiculturalism is considered a danger. Let's consider, for instance, the fact that the Paris attacks terrorists, who were born an raised in France or Belgium have more in common with the skinheads of the 1980s than with the fundamentalists we see on TV. They drink alcohol, smoke pot, play murder rampage video games, and really have the "no future" belief system of other teenagers 20 years ago. Several observers witted that religion would actually be a pacifying, structuring, influence for these young people. In other words, supporting the strength of religious communities, not just stopping humiliating them, might actually prevent terrorism. At the present moment, the orthodoxy says that we should not limit "free speech" - especially the Charlie* kind - and even that we should celebrate humiliation of religion as the most exquisite mark of French Freedom and Rationality.