Showing posts with label fear of death. Show all posts
Showing posts with label fear of death. Show all posts

Monday, 30 August 2021

On the Terrorism of Suicide

by Chengde Chen *



Approaching the 20th Anniversary Commemoration of 9/11, Pi is pleased to bring you a poem which originally appeared in The Guardian, in 2001. It is as relevant now as it was thena poem, wrote Poet Laureate Andrew Motion, to help us commemorate and try to understand.


When released from the fear of death

men can be MC² times more powerful

Once they turn their mass into energy

the power is as great as our fear


The terrorism of killing with suicide

is different from that of only killing

Killing is terror

while suicide is a philosophy

 

Men who don't fear death are dead men

because fearing death is part of life

But by cancelling this premise of psychology

they have invalidated all we can do

 

We may talk to ordinary terrorism with war

but it makes the suicidal one more suicidal

If a death sentence is a home-delivery gift for them

cruise missiles would answer the wrong question

 

The way to conquer the suicidal

is to make them fear death again

That is to find the reason why they don't

and to eliminate it as a psychiatrist would

 



* Chengde Chen is the author of Five Themes of Today: philosophical poems, and of the novel: The Thought-read Revolution. chengde.chen@hotmail.com

Monday, 25 May 2020

Trading Lives Without Anger

Heinrich Hoerle, 1930, Monument to the Unknown Prosthesis
 Posted by Allister Marran
The COVID-19 crisis has brought into sharp focus modern man’s ideological belief that he has mastered science and medicine, and has so defeated—or at least delayed—the intrusions of the Grim Reaper.  Our misplaced belief that medical science can cure any ailment means we want to try to save everyone—and when we cannot, there is dismay and fury.
Centuries of loud, proud pronouncements from researchers, scientists, and the medical community, of sound progress being made in the battle against age-old enemies like cancer, malaria, tuberculosis, and innumerous mortal ailments has lulled us into a false sense of security—a perception of invulnerability and ultimately immortality.

What happens, then, when death becomes an inevitable choice?  What if the choices set before us are choices which must choose death in any event?

Whilst the achievements of medical science cannot be overstated, and are undoubtedly impressive, our somewhat conceited overestimation of our ability to stave off death indefinitely has led us to a crossroads today which opens up the social, spiritual, and philosophical question of where to draw the line, who to try to save, and at what cost—if death is indeed inevitable.

At logical extremes, there are two distinct, divergent—apparently incompatible—viewpoints that could be held and debated. In the context of the coronavirus, or COVID-19:
Firstly, that we should lockdown indefinitely, or until a treatment or vaccine is found, saving every life we can at any cost.

Alternatively, when the cost becomes too high, to start trading the lives of the old and the sick for that of the starving young and poor.
There have of course been many pandemics, and COVID-19 is just be the latest contagion in a long line of similar illnesses that have ripped through the human population over the last hundred or so yearsstarting with the Spanish Flu in 1918, and continuously assaulting us before retreating and coming back again in different forms and kinds.

There is a difference this time, however.  The connected world and social media has allowed the world to track the progress of the disease and monitor its devastation, and the real-time outrage has been swift, palpable, and highly publicised.

A minister who has presided over countless funerals told me recently that there has been a perceptible change in the emotions expressed when family and friends come together to bury loved ones.  The old markers of grief and the grieving process are replaced with anger and fury today. 

But our fury has no object; it is just the way things work.  There must be a middle road—to save who you can, but allow those whose time has come to leave.  A realisation and philosophical embracing that our time on earth is finite, which in turn adds value to the little time we do have.  To say goodbye without anger or pain or fury, because after all, shouldn’t your last memory of a departed one be tinged with memories and feelings of love, not hate?

Monday, 16 May 2016

Death and History

Posted by Király István
Death lays the foundations of human history. However, this is only one aspect of death.

Death does not only illuminate the historically articulated human life, so to speak 'externally' — or more precisely, from its end, from an indefinite and aleatory, 'retrospective' point of view, as a foreign and external element — but it continuously interweaves, and what is more, grounds it in its most essential aspects.

To such an extent that history probably exists precisely because there is mortal human life — which is to say, a mortal human being who relates by his life to death, to his being-like-death and mortality — also in a being-like way, and mode of being-like. In other words because there is such a life to which death — its own death — in all respects lends weight, challenge, pressure — grip! — over itself and for itself, and by this a continuous and unavoidable possibility to undertake.

So, the non-human, non-Dasein*-like life which is 'finite', and as such is always born, disappears, passes away, comes into being, extinguishes, changes and evolves ... well, this life actually does not, and cannot have a history — just as the 'inorganic' regions of being have no history in fact, only in a metaphoric sense. Which of course does not mean that this life is not in motion, in change — that it is unrelated with time, or does not 'possess' time with all the processes and 'events', necessary or incidental — in the sense of their happening and references. These of course are also in touch with human history as challenges, meanings and possibilities — which is, when and if there is a questionable meaning or a question referring to meaning. So they have a story, but do not have a history — to the extent that this story of beings devoid of history only becomes — or only can become! — a history of being by history.

In accordance with this reasoning, history exists in fact because there is human death, because there are beings who relate to death — explicitly or implicitly — in and with their being, in and with their mode of being, in a being-like way — for whom death, their own death is not a mere givenness, but — by the way they relate to it — is, in fact, a possibility.

Moreover, it is a possibility which, by its own 'substantive' happening, is dying — precisely by its dying but always beyond it. It is a possibility which derives — and constitutes and structures, articulates, permeates, colours — all of their other modes and possibilities of being. In other words, it opens them up really and truly, structures them open in — and precisely because of — its finitude. And by this, it also lends to these possibilities a well-defined importance, open towards, and from, this finitude, which also leads in fact to the articulation of these modes of being.

If the various modes and regions of human existence — as well as their birth and changes in time — can prove that their very existence, meaning and change is utterly unthinkable and 'absurd' without death, or that death plays a direct or indirect role in their coming into being or changes, then it is also proved that death grounds, originates, and constitutes history in the … essential, ontological sense.


*Dasein is a German word which literally means 'being there' or 'presence'.



Király V. István is an Associate Professor in the Hungarian Department of Philosophy of the Babes-Bolyai University, Cluj, Romania. This post is an extract selected by the Editors, and slightly adjusted for the purposes of the blog,  from his new book, Death and History.

Death and History

Posted by Király István
Death lays the foundations of human history. However, this is only one aspect of death.

Death does not only illuminate the historically articulated human life, so to speak 'externally' — or more precisely, from its end, from an indefinite and aleatory, 'retrospective' point of view, as a foreign and external element — but it continuously interweaves, and what is more, grounds it in its most essential aspects.

To such an extent that history probably exists precisely because there is mortal human life — which is to say, a mortal human being who relates by his life to death, to his being-like-death and mortality — also in a being-like way, and mode of being-like. In other words because there is such a life to which death — its own death — in all respects lends weight, challenge, pressure — grip! — over itself and for itself, and by this a continuous and unavoidable possibility to undertake.

So, the non-human, non-Dasein*-like life which is 'finite', and as such is always born, disappears, passes away, comes into being, extinguishes, changes and evolves ... well, this life actually does not, and cannot have a history — just as the 'inorganic' regions of being have no history in fact, only in a metaphoric sense. Which of course does not mean that this life is not in motion, in change — that it is unrelated with time, or does not 'possess' time with all the processes and 'events', necessary or incidental — in the sense of their happening and references. These of course are also in touch with human history as challenges, meanings and possibilities — which is, when and if there is a questionable meaning or a question referring to meaning. So they have a story, but do not have a history — to the extent that this story of beings devoid of history only becomes — or only can become! — a history of being by history.

In accordance with this reasoning, history exists in fact because there is human death, because there are beings who relate to death — explicitly or implicitly — in and with their being, in and with their mode of being, in a being-like way — for whom death, their own death is not a mere givenness, but — by the way they relate to it — is, in fact, a possibility.

Moreover, it is a possibility which, by its own 'substantive' happening, is dying — precisely by its dying but always beyond it. It is a possibility which derives — and constitutes and structures, articulates, permeates, colours — all of their other modes and possibilities of being. In other words, it opens them up really and truly, structures them open in — and precisely because of — its finitude. And by this, it also lends to these possibilities a well-defined importance, open towards, and from, this finitude, which also leads in fact to the articulation of these modes of being.

If the various modes and regions of human existence — as well as their birth and changes in time — can prove that their very existence, meaning and change is utterly unthinkable and 'absurd' without death, or that death plays a direct or indirect role in their coming into being or changes, then it is also proved that death grounds, originates, and constitutes history in the … essential, ontological sense.


*Dasein is a German word which literally means 'being there' or 'presence'.



Király V. István is an Associate Professor in the Hungarian Department of Philosophy of the Babes-Bolyai University, Cluj, Romania. This post is an extract selected by the Editors, and slightly adjusted for the purposes of the blog,  from his new book, Death and History.

Monday, 7 March 2016

Picture Post No 10: Faceless Fighters of Vietnam, 1972




'Because things don’t appear to be the known thing; they aren’t that what they seemed to be neither will they become what they might appear to become.'

Posted by Tessa den Uyl and Martin Cohen

Somewhere in the Nam Can forest, Vietnam, in 1972 ( Image: Vo Anh Khanh)
In the pciture above, faceless activists meet in the Nam Can forest, wearing masks to hide their identities from one another in case of capture and interrogation.

For many Americans, the dominant image of the Vietnamese and their Viet Cong allies during the war was as a ghostly enemy sneaking down the Ho Chi Minh trail defying US bombs and apparently inured to suffering.

The visual history of the Vietnam War has been defined by such images. There is Eddie Adams’ photograph of a Viet Cong fighter being executed; Nick Ut’s picture of a naked child fleeing a napalm strike, and Malcolm Browne’s photo of a man setting himself alight in flames at a Saigon intersection.