Understanding Culture Helps Explain Why It Matters

André Malraux once wrote: “Culture is both the
heritage and the noblest possession of the world.”

Posted by Keith Tidman

What is culture? The answer is that culture is many things. ‘Culture is the sum of all forms of art, of love, and of thought’, as the French writer, André Malraux, defined the term. However, a little burrowing reveals that culture is even more than that. Culture expresses our way of life — from our heritage to our values and traditions. It defines us. It makes sense of the world. 

 

Culture measures the quality of life that society affords us, across sundry dimensions. It’s intended, through learning, experience, and discovery, to foster development and growth. Fundamentally, culture provides the means for members of a society to relate to and empathize with one another, and thereby to form a collective memory and, as importantly, to imagine a collective future to strive for.

 

Those ‘means’ promote an understanding of society’s rich assembly of norms and values: both shared and individual values, which provide the grist for our standards, beliefs, behaviours, and sense of belonging. Culture affords us a guide to socialisation. Culture is a living, anthropologic enterprise, meaning a story of human development and expression over the ages, which chronicles our mores, myths, stories, and narratives. And whatever culture chooses to value — intelligence, wisdom, creativity, relationships, valour, or other — gets rewarded.

 

Although ideas are at the core of culture, the most-visible and equally striking underpinning is physical constructs: cityscapes, statues, museums, monuments, places of worship, seats of government, boulevards, relics, artifacts, theatres, schools, archeological collections.

 

This durable, physical presence in our lives is every bit as key to self-identity, self-esteem, and representation of place as are the ideas-based standards we ascribe to everyday life. In the embodiment and vibrancy of those constructs we see us; in their design and purpose, they are mirrors on our humanity: a humanity that cuts across racial, ethnic, religious, social, and other demographic groups.

 

The culture that lives within us consists of the many core beliefs and customs that people hold close, remaining unchanged across generations. There’s a standard, values-based thread here that the group holds in high enough esteem to resist the corrosive effects of time. The result is a societal master plan for behavioural strategies. Such threads may be based in highly prized religious, historical, or moral traditions. 

 

Still other dogmas, however, don’t retain constancy; they become subject to critical reevaluation and negotiation, resulting in even deeply rooted ancestral practices being upended. Essentially, people contest and reassess what matters, especially as issues relate to values (abstract and concrete) and self-identity. The resulting changes in traditions and habits stem from discovery and learning, and take place either in sudden lurches or as part of a gentle progression. Either way, adaptation to this change is important to survival.

 

This inevitability and unpredictability of cultural change are underscored by the powerful influences of globalisation. Many factors combine to push global change: those that are economic, such as trade and business; those that are geopolitical, such as pacts and security and human rights; and those that accelerate change in technology, travel, and communications. These influences across porous national contours do not threaten cultural sameness per se, which is an occasional refrain, but do quicken the need for societies to adjust. 

As part of this global dynamic, culture’s instinct is to stabilise and routinise people’s lives, which reassures. Opinions, loyalties, apprehensions, ambitions, relationships, creeds, sense of self in time and place, and forms of idolatry become tested in the face of time, but they also comfort the mind. These amount to the collective social capital: the bedrock of what can rightly be called a community.

 

Language, too, is peculiarly adaptive to culture, a tool for varied expression: the reassuring yet unremarkable (everyday); the soaring and imaginative (creatively artistic); and the rigorously, demandingly precise (scientific and philosophic). In these regards, language is simultaneously adaptive to culture and adaptive of culture: a crucible on which the structure and usage of language remain pliant, to serve society’s bidding.

 

Accordingly, language is basic to framing our staple beliefs, values, and rituals — much of what matters to us, and helps to explain how culture enriches life. What we eat, what we wear, whom we marry, what music we listen to, what plays we attend, what locations we travel to, what we find humorous, what recreation we enjoy, what commemorations we observe — these and other ordinary lived experiences are the building blocks of cultural diversification.

 

Culture allows society to define its nature and ultimately prolong its wellbeing. Culture fills in the details of a larger shared reality about the world. We revere the multifaceted features of culture, all the while recognising that we must be prepared to reimagine and reform culture with the passage of time, as conditions shift. 

This evolutionary process brings vigour. To this extent, culture serves as the lifeblood of society.

 

Terrorists, Secret Services and Private Incomes

Sceptical reflections and conspiracy theories relating to the politics surrounding the killings at Charlie Hebdo and the recent massacre in Saint Denis

 

The shooting at the start of this year of the cartoonists at the Parisian satirical magazine, Charlie Hebdo has all the hallmarks of a CIA inspired brutal incident. November's massacre at Saint Denis looks much more like an attempt to replay, in the center of European social life, similar deadly outrages to those committed in towns and cities across the Middle East. Colin Kirk* teases out the links.

That most of the perpetrators of these atrocities were known to French secret services is now admitted. There are even several indications of what may have been secret service and police assistance to the Charlie Hebdo incident. Help apparently given to the get-away vehicle and discovery of the driving license dropped by the driver recalls some aspects of the slaughter of over 3000 people on the ninth of November 2001 in New York.

Charlie Hebdo was a satirical magazine before it got its current name after an atrocity in Northern France that resulted in over a couple of dozen deaths was reported in Paris as 28 dead in Northern France. It caused little stir compared with mourning for De Gaulle, who died a few days later. Un homme mort à Paris was the bold, black cover of what was thereafter called Charlie Hebdo.

President Charles De Gaulle founded the Fifth Republic in his own image with draconian rights of state surveillance of its citizens that are not dissimilar to those afforded by the American Patriot Act. The State of Emergency currently in force allows police entry without warrant and arrest without charge. There really isn’t any further to go in state legal rights of citizen control, is there?

The CIA is known to have funded media to promote certain political messages in America, Britain and France in particular. On his own account, Stephen Spender, the editor of the British literary magazine Encounter, originally founded by the poet Stephen Spender, resigned  when he discovered the source of much of its 'well-wisher' donations.

Satirical media and those critical of the state were important to western democracies to demonstrate state toleration of dissent in comparison with actions of totalitarian states. Egalité and Fraternité were far less important to politicians than the sacred notion of Liberté.

What Would Happen If 3-D Printers Could 3-D Print Themselves?

Posted by Matthew Blakeway

“In the future, [the human species] will refuse to put themselves at the service of pirates. They will become what I call transhumans – who will give birth to a new order of abundance” ―Jacques Attali.

The French philosopher and economist Jacques Attali* predicted in the 1970s that the music industry would collapse. Within twenty years, he was basically proved right. If something is freely or cheaply replicable, then economic theory predicts that its value will trend towards zero. Ever since we were able to record our friends’ vinyl LPs on cassette, the ability of musicians to earn a living from recorded music was doomed – and so it turned out to be. Musicians today earn less and less from selling recorded music. I myself, as a writer, am acutely aware that it is getting harder to make a living, even in a world where people are reading more.

Now Attali is making the same predictions about manufactured goods. 3-D printing, while it still is a relatively new technology, opens the door to being able to scan a wide variety of objects into a 3-D printable file and e-mail it. Many manufactured products may become infinitely reproducible, their value trending towards zero. It has already been done, if only experimentally. We already have 3-D printed musical instruments, camera lenses, weapons – even 3-D printed refrigerators and cars. It isn’t inconceivable that we all will be able to upload 3-D printable files for such items which we can print at home and assemble Ikea-style. We could then tweet the link so that everybody else can have one.