Showing posts with label slavery. Show all posts
Showing posts with label slavery. Show all posts

Monday 2 May 2016

Picture Post No.12: Critical Eyes



'Because things don’t appear to be the known thing; they aren’t what they seemed to be neither will they become what they might appear to become.'

Posted by Tessa den Uyl and Martin Cohen

Alice Seeley Harris, missionary, photographer and campaigner with a group of Congolese children, early 1900s.  Photo credit Anti-Slavery International
A group of Congolese children and Mrs. Seeley Harris all pose in a pyramid geometry and look towards us. In doing so, their bodies seem to animate a question and hand a voice to us. Perhaps this is why this photograph obviously from another age moves beyond being material evidence to become an inexorable happening. Our voices still try to formulate that question today.

These children embody the rich properties hidden into the soil they inhabit. The presence of the white woman accentuates this intuition being dressed in the middle of the children, as if ‘their clothes’ lay underneath the earth. What for these children is not essential, others might think of as indispensable.

The relation between these children and Mrs. Harris is critical. We might end up striving for the same cause but this is already a movement upon effects. When violence is related to law, justice cannot be achieved within a law preserved by violence. These children represent an entire population that got identified as a working force. Violently estranged from their culture, is it still possible to see out of one’s own eyes?

With more then a century in the middle between them and us, we are left with a riddle:

A century conceals more truth than a day, though every day carries with it a millennium of falsehoods.

Who are we then, today?


Picture Post No.12: Critical Eyes



'Because things don’t appear to be the known thing; they aren’t what they seemed to be neither will they become what they might appear to become.'

Posted by Tessa den Uyl and Martin Cohen

Alice Seeley Harris, missionary, photographer and campaigner with a group of Congolese children, early 1900s.  Photo credit Anti-Slavery International
A group of Congolese children and Mrs. Seeley Harris all pose in a pyramid geometry and look towards us. In doing so, their bodies seem to animate a question and hand a voice to us. Perhaps this is why this photograph obviously from another age moves beyond being material evidence to become an inexorable happening. Our voices still try to formulate that question today.

These children embody the rich properties hidden into the soil they inhabit. The presence of the white woman accentuates this intuition being dressed in the middle of the children, as if ‘their clothes’ lay underneath the earth. What for these children is not essential, others might think of as indispensable.

The relation between these children and Mrs. Harris is critical. We might end up striving for the same cause but this is already a movement upon effects. When violence is related to law, justice cannot be achieved within a law preserved by violence. These children represent an entire population that got identified as a working force. Violently estranged from their culture, is it still possible to see out of one’s own eyes?

With more then a century in the middle between them and us, we are left with a riddle:

A century conceals more truth than a day, though every day carries with it a millennium of falsehoods.

Who are we then, today?